Filmshooting

Whilst I hope that V3 will be out in S8 I can't help but think that they will kill it. Kodak has a 100% rate of contradiction with me. They tell me one thing one day and the next they tell me another. At the end of the day it is kinda funny. 10 years ago I could never get Fuji to give me a straight...

Hi, I recently took delivery of a Lafeyette analysis projector which is I believe based a Kodak design and very similar to a LW projector gifted to my friends and I. However this projector has a Super16 gate, which is very interesting and I'm guessing pretty rare but I only shoot regular 16mm - boo...

What I would recommend is doing a "flat" SD transfer, perhaps even an anamorphic DV one, then cutting the project, then go back in and concentrate on the sections that are important in a Spirit session. That's the way 90% of any HD project I've ever seen would do it. Secondly, skip tape a...

Get a general flat Xfer to HDCam and then do your online off of the HDCam. From there you can take the tape and blow up. It looks good. I've had my stuff done that way. It will be cheaper than scanning. Good Luck Nigel, what do you mean by general flat Xfer? It sounds a good idea though Well Uppsal...

I'm confused. Are you looking to get an HD xfer or something beyond HD?? If you are looking for something like a 2/4k scan were you get TIFFs back then I am not surprised that you are being quoted what you are. Good Luck Well, it's natural, i'm also a litlle confused, what i want is to have the mos...

Sorry, i meant Modern Digital, not Todd, i think i didn't email ToddAO byt the way

Oh but i must add that TrickWILK personel was very kind people, by the way, they were the only laboratory that answered my emails! Neither Dejonghe or Todd answered me...

Hello I've recently asked TrickWILK - www.trickWILK.de in Germany for cost to telecine my 35 minutes raw footage from SUPER16 b/w film I asked the price for best quality to TIFF telecine, so i could have full quality on frame for possible print to 35mm later, But obviously i found the price high for...

Hello,

I've emailed Dejonghe a week ago but they didn't replied, anyone know if they are on holidays?

I guess i'll try the other suggestions you gave me, i would prefer a european lab, because i'm in Portugal, but i can also send it to USA,

thank you

hello, i would like to buy some meters of it, i intend to shoot some credits with it, can you email me so i can arrange things with you? you can do it to ricardoleko@yahoo.com.br thanks

Hello, I've asked this before in this forum, but, the time has passed and i would like to know about your latest experiences regarding telecine, I shot a Super16 short film recently and i'm developing it myself, it's Kodak Double-x 250D, i'm using D-96 developer by the way, I'm thinking in getting i...

A friend of mine is shooting a film with a JVC HD with a JVC lens converter for using PL super16 lenses He's using two type of lens, a fixed 7mm Panther and a angenieux zoom 11mm-138mm He didn't have any trouble with the panther, But the zoom lens has some distortion on the right side of the frame, ...

But if you filter the chemicals and use those black bottles (how do i say it in english) to take the air from the chemicals, you might use it for more than 4 reels of 30m 16mm

I've been using FOMAPAN for some years now, and i don't use any kit, i make my own chemicals and the results are great, As a matter of facti, i never achieved such results with Kodak, FOMAPAN has strong black, strong white and midtones like not many other stocks, I'll get a frame of a film someday ...

Avr,

I've shot both FOMA and ORWO and i develop both films in Lomo tanks too, but i disagree that FOMA has low latitude, what formula do you use for developing it?

Did you develop ORWO has reversal?

I find ORWO a very good emulsion, but i don't think is so far superior to FOMA or Plus-x