Ingmar Bergman passes away at 89
Moderator: Andreas Wideroe
Ingmar Bergman passes away at 89
Wow, what a lost, Bergman and Lazlo Kovacs within a week.
- Dr Smith
- Posts: 114
- Joined: Sat Apr 15, 2006 11:04 am
- Location: Berlin, Germany (Born in Margate, UK!)
I was watching Persona last night. How spooky.
One less giant, not many left now.
I think I'd like to nominate 'Vargtimmen' as a particular favourite of mine.
Edit: 31 Juli 2007 Antonioni has died too.
Two wonderful, master film makers in one week. At least the extraordinary body of their work will always remain and they were both able to enjoy old age and died peacefully in their sleep.
One less giant, not many left now.
I think I'd like to nominate 'Vargtimmen' as a particular favourite of mine.
Edit: 31 Juli 2007 Antonioni has died too.
Two wonderful, master film makers in one week. At least the extraordinary body of their work will always remain and they were both able to enjoy old age and died peacefully in their sleep.
Last edited by Dr Smith on Wed Aug 01, 2007 4:43 am, edited 2 times in total.
Darren R Smith
-
- Senior member
- Posts: 3980
- Joined: Wed Oct 15, 2003 11:51 pm
- Real name: Michael Nyberg
- Location: The Golden State
- Contact:
http://www.theage.com.au/news/entertain ... 75670.html
Directors today are not interested in the emotional dentistry Bergman excelled at by pushing the camera lens into the souls of his characters.
What directors today want is coverage. They don't shoot what they feel as artists, they shoot TV-friendly close-ups and alternate takes for the DVD. They'll shoot as many versions of a scene as possible to see what scans at the test screening. And if it doesn't work, they'll take audience notes and shoot it again.
Good story. This is why super 8 and regular 8 are so great. You see the soul...
Directors today are not interested in the emotional dentistry Bergman excelled at by pushing the camera lens into the souls of his characters.
What directors today want is coverage. They don't shoot what they feel as artists, they shoot TV-friendly close-ups and alternate takes for the DVD. They'll shoot as many versions of a scene as possible to see what scans at the test screening. And if it doesn't work, they'll take audience notes and shoot it again.
Good story. This is why super 8 and regular 8 are so great. You see the soul...
My website - check it out...
http://super8man.filmshooting.com/
http://super8man.filmshooting.com/
-
- Posts: 337
- Joined: Sat Mar 15, 2003 9:23 am
- Location: Auckland, New Zealand
-
- Posts: 8356
- Joined: Wed May 15, 2002 1:31 pm
- Location: Gubbängen, Stockholm, Sweden
- Contact:
i disagree. what bergman and others have taught us is exactly the opposite, thus modern directors seem to have a much clearer vision in their storytelling, whereas before bergman coverage was the only shooting style used, and allowed. of course there are many bad directors around now too, but why compare them to the master?super8man wrote:What directors today want is coverage
/matt
-
- Senior member
- Posts: 3980
- Joined: Wed Oct 15, 2003 11:51 pm
- Real name: Michael Nyberg
- Location: The Golden State
- Contact:
And this is happening all over the place - the boomers are dropping off the radar in many aspects - I see it in the workforce everyday. Its a double edged sword - some I am happy to see move along, others I am glad they continue to work past their official time.ccortez wrote:wow... lazlo, sven, ingmar, michangelo... almost all at once.
My website - check it out...
http://super8man.filmshooting.com/
http://super8man.filmshooting.com/