Filmshooting

I only have 1 spool for Regular 8 left!

"The Italian Job" intro

Had some tries with Fomapan R DS8, slitted and loaded by me in Kaccema carts but resulted quite unsteady. Otherwise Kaccema carts work very well: I put in them slitted E100D DS8, and reloaded with Tri-x for making double exposure and the frame was always rock steady. I'm afraid is a problem of Foma...

Nowadays Tri-X and Adox for reversal in Super8. Also, I have some Orwo big spools to refill my Kaccemas.

In R8 I still have some E100D.

I'd like to try all that Wittnerstuff but definitely not at those prices plus luxury shipping costs...

This is very useful! Thanks for sharing the scripts

Woooow that is amazing transfer. Is ochoypico a machine or a transfer house using one of the above machines? O yeah, I forgot to mention that the contest I propose has also to include those digital technique to increase the quality such as denoise, sharpening, re-color etc something the so called &...

After 7 years doesn't sound strange to me

Best machine might be the one at www.ochoypico.com

This is Super8 Vision 50D:

https://vimeo.com/groups/super8/videos/83774924

Mana wrote:Hey john, is the UN54 an Orwo B&W stock?

ORWO UN54

Oh no ...not again please :roll:

PyrodsTechnology wrote:yes, it is great, but i would have preferred a new double super 8 camera with its longer load

DS8 is extremely limited in filmstock availability. This would have made no sense to invest money and time in a DS8 camera

The problem with Fomapan processing seems to be that it must be processed at 24º C instead of 20º, to avoid that bubbles... I do not process films myself but this seems to be everybody's experience

Pj wrote:I think Film people within television were generally considered to be snobs, they were often swanning around with their film cameras and light meters making everyone else feel inferior. Pav

:lol: aren't they?

Unfortunately, I found 200D extremely grainy for the Regular 8 format, but...

Thanks again everyone! I finally went for a 1014E that seems to be in mint condition and tested with film. I love how it looks by the way :) Well done. Over the XLS series, the Electronic have the advantage that you can reduce the shutter angle (150º 75º 37,5º) to control depth of field or...